Atanasovski, Srđan. Allies in Music: French Influences and Role Models in the Cvijeta Zuzorić Association of Friends of Arts

Bajić-Stojiljković, Vesna. Links between the Moiseyev Dance Company and the Folk Dance Choreography production in Serbia 

Barbo, Matjaž. Reger in Slowenien

Bezić, Nada. Die Mozart-Rezeption in Kroatien

Born, Georgina and David Hesmondhalgh (eds.). Western Music and Its Others. Difference, Representation, and Appropriation in Music

Clausen, Bernd, Ursula Hemetek and Eva Saether (eds.). Music in motion: Diversity and dialogue in Europe: study in the frame of the „ExTra! Exchange Traditions“ project

Coman, Lavinia. Dinu Lipatti, un muzician român în contextul culturii universale

Dalianoudi, Renata. Transporting the notes: Urbanization and westernization in the music of the northeastern Aegean islands in the nineteenth and the twentieth century

Dikin, Georgi. European Musical Influences in Greece from the Middle of the XIX Century to the Middle of the XX Century – an Attempt to Present the Main Bibliography and Bibliographic Sources

Doubravová, Jarmila. Influence of Foreign Musical Cultures in the Work of Miloslav Kabeláč

Dumnić, Marija. Defining Nostalgic Musicscape: Starogradska Muzika in Skadarlija (Belgrade) as Sound Environment

Firca, Clemansa Liliana. Le « modèle français » dans la musique roumaine de la première moitié du XXe siècle

Gajić, Milica. Some issues of studying the activities of Czech musicians in Serbia in the 19th century

Gentscheff, Welisar. Die Mozart-Rezeption in Bulgarien

Golubović, Marija. “А Russian Choir that Russia Had Never Heard Before”: The Don Cossack Choir Serge Jaroff on the Concert Stage in the Interwar Belgrade

Gortan-Carlin, Ivana Paula. Glasba istrskih sodobnih skladateljev na prehodu v 21. stoletje in njena vloga v regionalnem turizmu

Grozdanova-Radeva, Galia Stepanovna. The Representative Brass Band of the National Guards Unit of Bulgaria: Intermediary Between the Contemporary Urbanism and Folklore at Present Time

Hadžić, Fatima. Karel Moor in Sarajevo. A Contribution about the Research on the Life and Work of the Czech Composer

Helmut, Loos. Musikerbriefe als Spiegel überregionaler Kulturbeziehungen in Mittel – und Osteuropa

Hočevar, Katarina Bogunović. Ljubljanska opera med obema vojnama: moderna režija in njeni protagonisti / Ljubljana Opera House Between Both World Wars: Modern Directing and its Protagonists

Hočevar, Katarina Bogunović. Odmevi evropskih tendenc v ustvarjalnosti Janka Ravnika

Hofman, Ana. Balkanske glasbene industrije med evropeizacijo in regionalizacijo: Balkanske glasbene nagrade

Janković-Beguš, Jelena. Les modèles économiques du genre de la comédie musicale en Serbie et en France depuis 2005

Jordanonska, Trena. Orient and Occident Encounters in Dimitrije Buzarovski’s Oratorio “Radomir’s Psalms”

Karača-Beljak, Tamara. Ottoman Influence on Folk Music Tradition of Bosnia and Herzegovina

Kardamis, Konstantinos, Eleni Kokkinomilioti, Stella Kourmpana, Avra Xepapadakou, Konstantina D. Karakosta and Stamatia Gerothanasi. Opera and the Greek World during the Nineteenth Century

Katalinić, Vjera. Giuseppe Tartini i njegov krug u hrvatskim arhivskim zbirkama

Klemenčič, Ivan. Slovenska glasba med evropskim in izvirnim

Koter, Darja. Zur Rezeption der Wiener Schule in Marburg/Maribor und Ostslowenien

Kotnik, Vlado. Small Places, Operatic Issues. Opera and Its Peripheral Worlds

Kourmpana, Stella. The Birth of Music Criticism in Greece: The Case of the Historian Konstantinos Paparrigopoulos

Kovačič, Karmen Salmič. Between constructivist and pluralistic modernism – a contribution to the understanding of the Slavko Osterc’s circle

Ković, Miloš. Austria-Hungary’s “Civilizing Mission” in the Balkans. A View from Belgrade (1903–1914)

Krstulovič, Nataša Cigoj. Nacionalni in transnacionalni vidiki glasbe: študija primera zgodnje recepcije Dvo ákovih del na Slovenskem

Kujumdzhiev, Julian. Zur Rezeption der Wiener Schule in Bulgarien

Kuret, Primož. Das Ständische Theater in Ljubljana/Laibach. Über die italienischen Opernaufführungen Ende des 18. und Anfang des 19. Jahrhunderts in Ljubljana

Kuret, Primož. Mozart-Rezeption in Slowenien

Kuret, Primož. Zur Rezeption der Wiener Schule in Laibach/Ljubljana und Westslowenien

Lah, Špela. Nemško glasbeno gledališče v Ljubljani (1875-1914)

Lah, Špela. Slovensko-nemška dihotomija v Deželnem gledališču v Ljubljani med letoma 1892 in 1914

László, Ferenc. Klausenburg – Rumäniens Stadt mit zwei Staatsopern

László, Ferenc. Siebenbürgens Begegnungen mit Arnold Schönberg und seiner Schule

László, Ferenc. Zur Geschichte der Mozart-Rezeption in Rumänien

Levidou, Katerina. A Dubious Mission: Skalkottas’s Vision of Truly Greek Music and his 36 Greek Dances

Levy, Claire. Youth and Popular Music in Bulgaria: Local versus Global

Malcheva, Todorka. The connection between the music of military brass-bands and our instrumental folklore

Marković, Marijana Kokanović. Karel Moor’s Artistic Activity in Belgrade in the Context of Socio-political and cultural conditions (1913/14)

Marković, Tatjana. ‘Croatness’ in music: Songfully Italian, solidly German, a little bit ‘oriental’ and above all Slavic

Marković, Tatjana. Balkan Studies and music historiography: (Self)Representation between ‘Authenticity’ and Europeanization

Marković, Tatjana. How much is opera inter / national?

Marković, Tatjana. Intertextual relations between Serbian and Viennese concepts of 19th-century music periodicals

Medić, Ivana. In the Orbit of Shostakovich: Vasilije Mokranjac’s Symphonies

Medić, Ivana. Music of the Lost Generation: Serbian Émigré composers

Metz, Franz. Die Oper als Institution im Südosten Europas unter besonderer Berücksichtigung der Banater Musikzentren Temeswar, Arad und Orawitza

Metz, Franz. Zur Rezeption der Wiener Schule im Banat

Mihajlović, Danka Lajić. Multiculturalism of Kosovo and Metohija in the 1950s and 1960s expressed in traditional music

Mikić, Vesna. Constituting Neoclassicism in Serbia or: How and Why Neoclassicism Can Be Understood as Modernism – a Study of Ristić’s Second Symphony

Milanova, Alexandra. Opera and Modernization: The Case of Bulgaria

Milanova, Alexandra. Reflecting Europe Presenting the Project “European Influences in the Modern Urban Music Culture in the Balkans. Bibliographic Research”

Milanović, Biljana. Disciplining the nation: Music in Serbia until 1914

Milanović, Biljana. Reger’s Student Milenko Paunović: A lonely and silent voice from the ‘musical periphery’

Milanović, Biljana. Европске музичке праксе и обликовање нације кроз креирање националне уметничке музике у Србији у првим деценијама XX века

Milin, Melita and Jim Samson (eds.). Serbian Music: Yugoslav contexts

Milin, Melita. Cultural isolation of Yugoslavia 1944-1960 and its impact on the sphere of music the case of Serbia

Milin, Melita. The Russian musical emigration in Yugoslavia after 1917

Mladjenović, Dimitrije. Historical Contributions to the Study of Serbian-British Relations in the Field of Music and Culture from 1914 to 1941

Mosusova, Nadežda. Delo Brailovskih i srpska međuratna scena u ogledalu kritike

Nagode, Aleš. Die Rolle des mitteleuropäischen Raumes in der Entwicklung der slowenischen Kirchenmusik des 19. Jahrhunderts

Nenić, Iva. World music in the Balkans and the politics of (un)belonging

Nicephor, Sylvie. Alexandre Damnianovitch: De l’orient à l’occident

Peno, Vesna Sara. How much we do (not) know about Russian-Serbian chanting connections

Petrov, Ana. ‘A Representative of Western culture’, ‘a true Slavic artist’ or ‘a Yugoslav legend?’ Đorđe Marjanović between Yugoslavia and the USSR

Petrović, Danica. Religious music traditions in Belgrade in its way to become European town

Piotrowska, Anna G. The place of ‘Russian music’ on the multicultural map of Europe

Popa, Florinela. Mihail Jora, der prominenteste rumänische Schüler Max Regers

Preda-Schimek, Haiganuş. Gustul muzical al elitelor românesti în oglinda albumelor manuscrise pentru pian ms.r. 2663 si ms.r. 2575 din Biblioteca Academiei Române (circa 1820-1840)

Preda-Schimek, Haiganuş. Music in the Salons of Central and South-Eastern Europe. Preliminary Considerations for Cross-Regional Research

Preda-Schimek, Haiganuş. Privates Musizieren aus interkultureller Sicht. Ein Untersuchungsentwurf zu Wien und Bukarest der 1830er bis 1850er Jahre

Romanou, Aikaterini. Eastern naturalness versus western artificiality: Rimsky Korsakov’s influence on Manoles Kalomoires’ early operas

Romanou, Ekaterini. Italian musicians in Greece during the nineteenth century

Romanou, Katy. Aspects of Greek and Serbian Music

Romanou, Katy. Béla Bartók and Nikos Skalkottas

Romanou, Katy. Serbian & Greek Art Music: A Patch to Western Music History

Romanou, Katy. The Greek community of Odessa and its role in the ‘Westernisation’ or ‘progress’ of Greek music

Romanou, Katy. Westernization of Greek music

Sakallieros, Giorgos. Diverging from an established Greek musical nationalism: aspects of modernism in the works of Dimitri Mitropoulos, Nikos Skalkottas, Dimitrios Levidis and Harilaos Perpessas, during the 1920s and 30s

Samson, Jim. Borders and bridges: Preliminary thoughts on Balkan music

Sandu-Dediu, Valentina. Schönberg und seine Schüler im Bukarest des 20. Jahrhunderts: eine Orientierung

Sedak, Eva. Zur Rezeption der Wiener Schule in Agram/Zagreb und Kroatien

Sivec, Jože. Donizettijeve opere v Stanovskem gledališču v Ljubljani

Sivec, Jože. Nemška opera v Ljubljani od leta 1861 do 1875

Sivec, Jože. Rossinijeve opere na odru Stanovskega gledališča v Ljubljani

Sivec, Jože. Uprizoritve Mozartovih oper v Ljubljani do leta 1861

Sławomira Żerańska-Kominek (ed.). Nationality vs Universality: Music Historiographies in Central and Eastern Europe

Stamps, David Christopher. Garden of the Carpathians: Four Reflective Pieces for Mixed Ensemble that Highlight the Dualism of Romania’s People, Culture, and Aesthetic

Stefanija, Leon. Notes on the Mediterranean music heritage in Slovenia: A conceptual analysis

Sukljan, Nejc. The Trieste Philharmonic in Serbia

Tomašević, Katarina. Contribution of Czech Musicians to Serbian Music in the 19th Century

Tomašević, Katarina. On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević

Tomašević, Katarina. Serbian Music at the Crossroads of the East and the West? On Dialogue Between the Traditional and the Modern In Serbian Music between the Two World Wars

Trikoupis, Athanasios. Greek composers in the 20th century. European influences in their work

Trikoupis, Athanasios. Hellenic Music Education and Practice in Macedonia during the Ottoman Empire

Tseiragakis, Manolis. Greek operetta between East and West: the case of Chalima

Tudor, Daniela Mónica. La escuela nacional musical rumana – finales del siglo XIX y la primera mitad del siglo XX Aspectos técnicos e interpretativos en las obras para viola y piano de G. Enescu (Concertstück) y Stan Golestan (Allegro et Arioso de concert)

Vasile, Vasile. Teodor Burada – ctitor al muzicologiei românești (1839–1923)

Vasiliu, Laura Otilia. Distinctive Features of Music Education in Iaşi: An overview after 155 years

Vesić, Ivana. Jeunesses Musicales of Yugoslavia (1954-1991) Activities in the Countries of Eastern Bloc Through the Prism of Socialist Yugoslavia Cultural Diplomacy

Vesić, Ivana. Patterns of music taste as markers of sociocultural transformation in Serbia between the two world wars: The example of Jovan Frajt’s music publications

Vesić, Ivana. The role of Russian emigrants in the rise of popular culture and music in Belgrade between two world wars

Vesna Peno, Ivana Vesić, Aleksandar Vasić (eds.). Kosta P. Manojlović and the Idea of Slavic and Balkan Cultural Unificaton (1918–1941)

Vilotijević, Marija Dumnić. Contemporary urban folk music in the Balkans: Possibilities for regional music history

Volovšek, Anuša. Recepcija Dmitrija Sostakoviča in njegove Prve simfonije na Slovenskem (1947-2001)

Volovšek, Anuša. Serbian Romantic Lied as Intersection of the Austro-Hungarian and Serbian (con)texts

Vrhunc, Larisa. Vplivi evropske avantgarde na odnos med literaturo in glasbo v delih Jakoba Ježa

Weiss, Jernej. ‘Czech-Slovene’ musicians?: On the question of national identity in Slovene music at the turn of the 19th to the 20th century

Weiss, Jernej. Josip Procházka (1874–1956) kot «češko-slovenski» skladatelj samospevov

Weiss, Jernej. Musical culture in Slovenia revisited: The case of the ‘German’ Philharmonic Society

Weiss, Jernej. ‘Slovenian Music History’ or ‘History of Music in Slovenia’? With respect to the Role of Czech Musicians in Musical Culture in Slovenia in the 19th and the beginning of the 20th century

Xepapadakou, Avra. Salon Music in Nineteenth Century Greece

Zdravkova-Djeparoska, Sonja. The route Russia–Serbia–Macedonia: intercultural communications

Zupančič, Maruša. At the Crossroads of European Violin Heritage: The Migration of Prague Violinists throughout Europe from the Beginning of the Nineteenth Century up to the 1880s

Zupančič, Maruša. Bohemian Violinists in Ljubljana: Jan Šlais’s Contribution to Ljubljana Violin School

Zupančič, Maruša. Contribution of Prague Violinists to the Musical Life in Europe and the United States during World War I

Zupančič, Maruša. The Influx of Bohemian Violinists to Slovenia and Croatia up to the 1920s

Zupančič, Maruša. Vplivi na razvoj violinske pedagogike na Slovenskem v 19. stoletju in v prvi polovici 20. Stoletja

zur Nieden, Gesa and Berthold Over (eds.). Musicians’ mobilities and music migrations in Early Modern Europe: biographical patterns and cultural exchanges

Ζαφειρίου, Ιωάννα. Η κλασική μουσική στην Ελλάδα: ιστορικές, ιδεολογικές και αφηγηματικές διαστάσεις

Андреев, Андрей Аврамов. Възрожденският Пловдив и музиката: Фактори за формирането на българската градска музикална култура на възрожденския Пловдив

Васић, Александар. Проблем националног стила у написима Милоја Милојевића

Васић, Александар. Рецепција западноевропске музике у међуратном Београду: пример часописа „Музички гласник“ и „Музика“

Весић, Ивана. Музичко издаваштво између два светска рата као извор за проучавање експанзије популарне музике у југославији примери издавачких кућа Јована Фрајта и Сергија Страхова

Вилотијевић, Марија Думнић. Етномузиколошки приступи градској музици у Србији

Вилотијевић, Марија Думнић. Староградска музика у Србији: Наслеђе, стваралаштво, рецепција

Георгиева, Екатерина. Зараждане на детската хорова песен в България

Жеков, Петър Христов. Стара Загора – град на музиката

Калинкова, Пенка. Чешкият принос в пловдивското образование и култура 

Макевић, Зорица. Светлост слова у „музикословљу“ Љубице Марић

Марковић, Маријанa Кокановић. Друштвена улога салонске музике у животу и систему вредности српског грађанства у 19. Веку

Марковић, Маријанa Кокановић. Пијанистички репертоар Корнелија Станковића – између европске праксе и националне идеологије

Марковић, Маријана Кокановић. Рецепција српске салонске музике у XIX веку из угла извођача, публике и музичке критике

Микић, Весна. Различити видови модернизма/неокласицизма Душана Радића

Миланова, Александра. Значението на френската школа за творчеството на Любомир Пипков и Марин Големинов

Милановић, Биљана. Контекстуализација раног модернизма у српској музици на примеру два остварења из 1912. Године

Паунова-Тошева, Поля. Формиране, развитие и утвърждаване на инструменталната и педагогическата валдхорнова школа в България

Пејовић, Роксанда. Одрази fin de siècle-a на српску музику

Рашкова, Наталия. Миграции и музика: пространствени и времеви параметри

Стефановић, Ана. Барокне референце у делима Властимира Трајковића

Томашевић, Катарина. Исток – Запад у полемичком контексту српскe музике између два светска рата

Томашевић, Катарина. Стислке координате ораторијума “Васкрсење“ Стеван Христића (1912) и пиатње раскршћа традиција у српској музици 20. Века

Цветкович, Соня. Русская музыкальная эмиграция в сербской провинции русский вклад в развитие музыкальной жизни в Нише в период между Первой и Второй мировыми войнами